Top Open Casting Calls in Texas This Week for Actors, Musicians, and Models
Posted by TJF Talent Management
Texas performers have a short window on several promising opportunities this week. The strongest listings are looking for local and regional talent who can self-tape quickly, follow directions closely, and bring a clear point of view to the role.
At TJF Talent, staying ahead of the opportunity curve is part of what we do. Every week, our team checks trusted platforms like Backstage, Casting Networks, Actors Access, Playbill, and other industry sources so talent can spend less time searching and more time submitting well.
Here are the top verified opportunities and smart submission moves for the week of October 13, 2026.
This week’s strongest opportunities at a glance
Project | Best fit | Location focus | Submission path | Deadline |
“First Round” | Actors for lead and supporting roles in an indie sci-fi horror feature | Houston, Dallas, Austin, San Antonio, College Station | Backstage | October 18, 2026 |
Funny Bilingual Attorney Commercials | Spanish and English bilingual performers with comedic timing | San Antonio, Austin, Brownsville | Casting platform listing | Check the active listing before submitting |
Music and live performance contracts | Musicians, singers, and specialty performers | Texas and touring markets | Playbill, Backstage, venue and production listings | Varies by contract |
Modeling and commercial print work | Models and actor-models building commercial portfolios | Texas metro areas | Casting Networks, Backstage, agency submissions | Varies by campaign |
That table is the quick scan. The details below are where performers can decide what is worth their time.
“First Round” is a strong indie feature for Texas actors
“First Round” is the standout narrative project this week. The production is casting principal roles for an independent sci-fi horror feature from BnP Productions. The story centers on young athletes recruited to an elite academy where a secretive technology company manipulates their consciousness.
The concept has a clear genre hook, which matters. Coming-of-age sci-fi horror gives actors room to play fear, ambition, friendship, pressure, and physical intensity. It also gives filmmakers a strong visual world to build. For anyone tracking acting, filmmaking, and jobs in Texas entertainment, this is the kind of project that deserves a close read.
What they are looking for
The production is seeking nonunion performers for two lead roles and four supporting roles.
Iris Bell
Female, 18 to 30
Marcus Vale
Male, 18 to 30
The breakdown also calls for both male and female performers across supporting roles. Since the story involves young athletes and an elite academy, performers should expect the tape to test emotional honesty, tension, and possibly physical presence. That does not mean you need to overplay “athlete.” It means your tape should show discipline, focus, and the stakes of being watched or controlled.
How to submit
Submit through Backstage at backstage.com. Search for “First Round” by BnP Productions.
The listing includes the full breakdown, self-tape directions, and character packets. Read all of it before recording. Character packets are there for a reason. They usually contain tone, relationship clues, backstory, and sometimes details that keep the actor from making the most obvious choice.
Deadline
October 18, 2026
That is a tight turnaround. If this fits your type and availability, do not wait until the final evening to tape. Give yourself time to watch the take back, fix sound or framing, and make sure your file name follows the requested format.
Why this one stands out
The casting breakdown specifically lists Houston, Dallas, Austin, San Antonio, and College Station as talent sources. That is a clear sign that Texas actors are not an afterthought for this production.
The posted compensation also makes this more than a casual indie. Lead rates are listed at $1,000 per day, with a $10,000 estimated total. Supporting roles pay up to $4,500. As always, performers should verify final terms, dates, travel expectations, and contract details before accepting any booking.
The filmmaker, Robert Lin, is described in the listing as an award-winning MFA graduate whose work has screened in Los Angeles, New York, and Milan. That kind of background does not guarantee a perfect production, but it does suggest a serious creative team.
Submission tip for “First Round”
Keep the tape grounded. Sci-fi horror can tempt actors into playing the genre rather than the person. The better choice is usually simpler.
Ask three questions before you tape:
What does this character want in this exact moment?
What are they afraid will happen if they fail?
What are they trying not to reveal?
If the scene has fear, do not start at panic. Let the audience see the character trying to stay in control before the control breaks.
Funny Bilingual Attorney Commercials need performers with timing
The second notable listing this week is a TV commercial opportunity for funny bilingual attorney commercials in Texas. The production is looking for Spanish and English bilingual talent, with location focus around San Antonio, Austin, and Brownsville.
The available brief describes a wide range of bilingual performers for a local law-related commercial campaign. Because the listing details are incomplete in the brief, performers should check the active casting page before submitting for role specifics, rate, usage, shoot date, and exclusivity terms.
That last part matters. Commercial work can include usage language that affects where and how long your image may appear. Always read the full terms before confirming availability.
What they are looking for
The strongest fit is likely a performer who can switch naturally between Spanish and English and handle comedy without pushing too hard.
For a local attorney commercial, casting teams often want people who feel real, specific, and memorable. That does not always mean broad sketch comedy. Sometimes the funniest read is the most serious one.
Bilingual talent should be honest about fluency. If the script requires natural Spanish, do not submit if you can only pronounce a few lines phonetically. If you are conversational but not fully fluent, make that clear when the form allows it.
How to approach the audition
Commercial auditions move quickly. Your job is to show the casting team that you understand the tone and can take direction.
A strong tape should have:
Clean audio with no background noise
A bright frame where the eyes are easy to see
A performance that feels conversational
A clear slate in both languages if requested
No costumes or props unless the instructions ask for them
Comedy needs rhythm. Before recording, read the copy out loud several times and find the turn. The turn is the moment where the joke changes direction, the character realizes something, or the situation becomes awkward. If you can find that beat, the spot usually plays better.
Submission tip for bilingual commercial work
Do one take that feels polished and one take that feels more relaxed. If the instructions allow multiple takes, this gives casting a fuller sense of your range.
Avoid caricature. Texas is full of bilingual communities with different accents, rhythms, and cultural backgrounds. Real specificity beats a generic “funny voice” every time.
Musicians should watch live performance contracts this week
Not every open opportunity is a film or commercial role. Musicians, singers, dancers, and specialty performers should keep a close eye on live entertainment listings this week, especially on Playbill and Backstage.
Texas performers often have access to a mix of local gigs and contracts that rehearse or launch elsewhere. Theme entertainment, cruise productions, regional theater, tribute shows, holiday programming, and touring acts may all post calls that welcome out-of-market submissions.
The key is to separate a good fit from a tempting distraction.
What musicians should prepare now
If a full-time performance contract opens, it can ask for materials quickly. Musicians should have a clean submission package ready before the listing appears.
Useful materials include:
A current performance resume
Two or three high-quality video clips
A simple headshot or performance photo
A song list or repertoire list when relevant
Clear notes on instruments, styles, and vocal range
Current location and travel availability
Video matters most. A shaky clip from a noisy room may not represent the level you can actually deliver. You do not need a massive production. You do need clean sound, steady framing, and a performance that starts strong.
What to check before accepting a music contract
Before saying yes, confirm the basics in writing.
Look for:
Pay structure
Rehearsal dates
Performance schedule
Housing or travel terms
Instrument requirements
Exclusivity or conflict rules
Cancellation terms
Safety expectations for live performance
A contract can be exciting and still be wrong for your calendar, voice, family needs, or finances. Good performers protect their long-term career by asking practical questions early.
Models should track commercial print and lifestyle campaigns
Models in Texas should watch for commercial print, lifestyle, fitness, beauty, healthcare, hospitality, and regional brand campaigns. These bookings often need a different skill set than runway or high-fashion editorial work.
Commercial modeling is about clarity. Can the viewer understand the feeling in one frame? Can you look natural while repeating the same action multiple times? Can you work well with a photographer, stylist, and creative team without freezing?
Those skills matter for actor-models too. Many commercial projects cast people who can move, react, and express emotion without dialogue.
What models should have ready
A strong model submission does not need to be complicated. It does need to be current.
Keep these assets updated:
Clear headshot
Full-body photo
Profile photo
Natural-light digitals
Current measurements
Location and travel radius
Any special skills, such as dance, sports, fitness, or hand modeling
Do not over-edit digitals. Casting needs to see your real look. Simple clothing, clean light, and accurate measurements will help more than heavy filters or dramatic styling.
What to watch in Texas listings
Texas modeling opportunities often cluster around major metro areas, including Dallas, Austin, Houston, San Antonio, and nearby production hubs. Some projects also cast regionally when they need a specific family look, lifestyle type, or bilingual talent.
Read usage terms closely. A one-day shoot can have a much larger value if the client wants broad usage for a long period. If you are represented, send the listing to your agent or manager before responding on your own.
How to make better submissions this week
Good submissions are specific. They show the casting team that you read the full listing and can follow directions.
Before you send anything, check these details:
Role fit
Age range or playable age
Union status
Location requirements
Shoot dates
Pay and usage
Self-tape format
File naming instructions
Required conflicts or availability notes
For self-tapes, keep the technical side simple. Use a quiet space, eye-level framing, and steady light. A reader should be audible but not louder than the actor. If the scene calls for movement, adjust the frame instead of stepping out of it.
For commercial and modeling work, submit exactly what is requested. If they ask for digitals, do not send only stylized portfolio shots. If they ask for a slate, include one. If they ask for no hats, sunglasses, or filters, follow that instruction.
The small details tell casting whether you will be easy to work with on set.
A quick safety check before you submit
Legitimate opportunities should give clear project details, a known submission path, and professional communication. Be careful with any listing that asks for unusual fees, pressures you to respond off-platform immediately, or avoids basic questions about pay, dates, and usage.
Never send sensitive personal information through an unverified contact. Do not pay to audition for a role. If a production asks for travel or wardrobe purchases upfront, verify the source and terms before spending money.
For minors, a parent or guardian should manage communication and review every detail before submitting.
The best move this week
“First Round” is the strongest scripted opportunity on the list because it has clear roles, Texas-friendly sourcing, posted compensation, and a near deadline. Actors in Houston, Dallas, Austin, San Antonio, and College Station should review that Backstage listing first.
Bilingual performers should also move quickly on the funny attorney commercial opportunity, especially if they are based near San Antonio, Austin, or Brownsville and can deliver natural Spanish and English copy with humor.
Musicians and models should use this week to check active listings, refresh materials, and be ready when the right contract or campaign appears. The performers who book consistently are not always the ones who submit the most. They are the ones who submit cleanly, quickly, and only when the fit is real.
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